Australia’s dedicated new-music oboist Ben Opie has given Australian composers and audiences a fresh perspective on his instrument. For Into the Outer, Arcko Symphonic Ensemble called on Opie’s formidable talents to play both canonic twentieth-century oboe music and the world premiere of Caerwen Martin’s Concerto for Oboe and Strings: “Sticks Leaves and Butterflies”.
Penderecki’s Capriccio for Oboe and 11 Strings is a rollercoaster of instrumental effects and complex rhythmic duetting between the soloist and string orchestra. Composed for the godfather of contemporary oboe, Heinz Holliger, it is a veritable glossary of quacking, squeaking, sucking, and popping sounds that now sits at the core of contemporary oboe repertoire. Penderecki has fun associating techniques for oboe with extended string techniques, the two parts mockingly imitating each other. Philliips managed the extreme changes in dynamics throughout this piece with what can only be described as a great sense of humour.
Caerwen Martin composed her Concerto for Oboe and Strings after hearing Opie perform Penderecki’s Capriccio. It retains the playfulness of Penderecki’s piece, being dedicated to her daughters’ “behaviours and intelligence”. The orchestra is in this case more accompaniment than duet partner, providing a series of pizzicato, twittering, and stridently harmonic backdrops to the oboe’s characterful interjections.
The rest of the concert made the most of the Arcko string section, comprising works by Andrián Pertout, Annie Hui Hsin Hsieh, and Roger Smalley. Andrián Pertout’s Into the Labyrinth takes the listener on a fairly straightforward journey from a laid-back, loping bass line to a vicious tutti string climax. The labyrinth, the composer tells us, is the self-doubting and circuitous route of a composer’s career. Hsieh’s Into the Outer is an adventure in grit, with extensive scrubbing and sul ponticello bowing, culminating in Caerwen Martin’s ruthless attack on her cello, at times scraping the bow down the strings with both hands. In Strung Out, Smalley literally strings out the string players in single file across the stage. The stereo effects that result from this setup are astounding and generally under-utilised in new compositions.
Into the Outer was an excellent example of how Arcko works to ensure the continuity and depth of Australian musical culture. Laying claim to both the first and second Australian performances of the Penderecki Capriccio, as well as premiering a work inspired by its Australian premiere, the ensemble have ensured that this piece leaves a mark on Australian repertoire and audiences.
Into the Outer
Arcko Symphonic Project
16 July 2016
Andrián Pertout, Navigating the Labyrinth; Krzysztof Penderecki, Capriccio for Oboe and 11 Strings; Annie Hui Hsin Hsieh, Into the Outer for 13 Solo Strings; Caerwen Martin, Concerto for Oboe and Strings: “Sticks Leaves and Butterflies”; Roger Smalley, Strung Out for 13 Strings.